Sunday 20 May 2012

James Vincent McMorrow @ Epstein Theatre 19/05/12

Every once in a while on the music scene, you stumble across one of those shows where artist, sound and venue blend so perfectly together that you are left well and truly amazed. On the 19th May during Sound City 2012, James Vincent McMorrow delivered exactly one of these performances in the stunning backdrop of the Epstein Theatre.

From start to finish McMorrow had the audience in the palm of his hand. With his finely tuned and effortlessly precise five-piece band behind him, the Irishman's vocals began swirling around the Epstein Theatre with ease and grace. The wonderfully sculpted lyricism and flawless consistency of the set-list left every member of the crowd in a state of complete pin-drop silence; apart from the effervescent applause at the end of each track of course. Aside from the performance, James' Irish charm also shone through as he set up a very personable rapport with his audience only adding to the intimacy of the gig. The venue itself also very much played into the hands of McMorrow as its' ambiance and image fitted perfectly into the musky, smoky tone of his voice. In a time were a new wave of Acoustic and Folk acts are flooding the music scene, I couldn't pick a better city venue to experience such a spectacle.

The haunting emotion established in McMorrow's critically acclaimed album, Early In The Morning, was mirrored perfectly throughout this live performance. His rawness and ability to bear everything in his music was heard in equal measure in understated tracks such as Follow You Down to the Red Oak Tree and more lively tracks such as Breaking Hearts and From The Woods!! At one point, despite issues during his sound-check, which were only noticeable due to him shyly and endearingly professing them to the crowd, McMorrow's band wandered off and left him on stage alone. The anticipation of the crowd hit boiling point. His lone performance of the infamous Higher Love really presented the crowd with a simplistic yet incredible overview of his vocal capability and totally captivated us all. The hold that he created over the audience was clear for all to see in other crowd favourites such as We Don't Eat and his sign-off track If I Had A Boat.

Beauty is a concept that is so often wasted on music in this day and age but the performance given that day in May was very much beautiful to the truest meaning of the word. The understated sound of his female conterpart with her subtle vocals and sweetly played mandolin were definitely a treat. On the other side of the scale though the spine-shaking drum-soaked instrumental climaxing seen in numerous tracks equally hit the spot. The key to this performance though lay mainly at the feet of the man himself. The raw emotion, plain enjoyment, endearing confidence and intimate relationship he strived for with his audience is what made Liverpool swoon note after note.

After his acclaimed sellout performance at The Kazimier back in February, McMorrow took to the almost unknown Epstein Theatre stage to a crowd with incredibly high expectations. It is safe to say that collectively, the lucky ones that managed to attend this masterpiece, were not disappointed. James Vincent McMorrow may have even just written himself into Sound City folklore with a performance that, in years to come, deserves to be the topic of numerous 'do you remember' conversations.


Thursday 3 May 2012

His Blessed Existence

His eyes shaded over by satin curtains,
This master sees and lives through the vision of sound,
His corner is his world,
The vibrations of dancing passengers paint an image more glorious that anything we can comprehend,
Each note the auditory birth of a majestic memory,
The masses that pass by initially see heartbreak,
This soul-man though represents something that so few will ever understand,
Although his eyes are blinded his ears swallow the incomprehensible orchestra of life,
His beret laid out at the forefront of his stage for loose change at the interval,
A hundred evening gowns gracing his hall of grandeur in every waking moment,
He pictures face after face,
Beaming and tearing,
Hands clasped beneath every blushing cheekbone,
Each day another encore,
He lives for his passion for it is his way of embracing his blessed existence,
A planet surrounded by aggression and misery calmed by his fingers caressing his gleaming mistress,
It is then that all around truly see his euphoric ideal of a spotless life,
Music is appreciated by many but so little truly fall,
This conductor on the corner devotes everything,
His visible impairment is nothing to be pitied; he deserves more than that,
His days are spent seeing a world that we cannot,
He dwells in the grandest of theaters not the cold inner city cobbles,
His princess more divine and elegant than any female form we may conquer,
Sharing a lifelong mutual understanding that shows no sign of breaking,
His world as heavenly as he wants it to be,
A concept more romantic that the crackling and creaking of a treasured vinyl,
Imagination is forever his reality,
The Prince of the Pavements and his Beautiful Brass Bride.